New title for Arianne ZwartjesMany of us have broken stories. Dr. Howard Brody wrote that “patients come to physicians with broken stories as much as with broken bones and broken bodies.”

Arianne Zwartjes, poet and director of the wilderness program at the United World College in New Mexico, offers in her newest book, Detailing Trauma A Poetic Anatomy, a lyrical examination of the many types of wounds found in body and spirit.

Most of us engaged in the field of Medical Humanities recognize that all storytelling is a personal act. For sure, Zwartjies crafts a brilliant poetic essay in this illumination of medicine, trauma, nature and a life. She writes.

“So often we avoid endings, as if that weight were too much to bear. Do we believe  in a beautiful world? as if it were lovely enough to die into. Lovely enough to balance the fracture. As if there were something we might care about. A kind of trust which we would crush for exposing us, for holding us raw–waxed paper to a window’s light.”

As a surviving heart patient, I have written extensively about the benefits associated with writing stories. There are others like social psychologist,  James Pennebaker, who espouses that the best therapy for psychological trauma is writing. And so many of us write.

Zwartjes describes unhealed wounds and losses but in breathless passages also extols the mystery of breathing and being in the moment.

” What is heart to us: this one small organ, glistening and crowned with arteries. Thorny tangle. (This little clump of muscle, chest lodged and unrelenting.) When we speak of heart. At the heart of things. You’ve won my heart. My heart goes out to you. Such a tiny, four-chambered thing. Ventricle mouths opening and closing like hungry carp. ”

She writes even more persuasively with such energy and enlivening sensibility.

” If what we are speaking of is grit. Take heart. She’s got heart. What we mean is stubborn doggedness, spunk, fight, clinging will. Pulsing red fist, desire: ferociously determined.”

Her new book is published by Sightlines, an imprint of the University of Iowa Press.

Stroke is the major cause of long-term disability among adults and older people and a significant factor in the increase in disability with aging. Yesterday was World Stroke Day. For sure, stroke is a catastrophic event that impacts on all aspects of a person’s being, forcing individuals to alter their lifestyle and reconstruct their identity. Each year in the United States more than 795,000 have a stroke and it also kills almost 130,000 Americans each year-that’s 1 in every 18 deaths.

For the survivors and their families, there are changes and social challenges that occur. I know firsthand, that this includes an increase in anxiety, fear of having another stroke, loss of confidence and even depression. As one of the lucky ones who experienced a transient ischemic attack, I realize how important the need is to tell this story. It’s apparent that many medical centers recognize the need to provide follow-up for stroke survivors, enabling the patients to express their psychological trauma and to address the varying degrees of mental and physical disability.

One of the major myths about stroke is that it is reserved for seniors. According to a recent article in the New York Times, “although a vast majority of strokes occur in people over age 65 (the risk is 30 to 50 per 1,000 in this age group), 10 percent to 15 percent affect people age 45 and younger (a risk of 1 in 1,000).”  A study by doctors at the Wayne State University-Detroit Medical Center Stroke Program found that among 57 young stroke survivors, one in seven were given a misdiagnosis of vertigo, migraine, alcohol intoxication, seizure, inner ear disorder or other problems — and sent home without proper treatment.

At Coastal Carolina University, Lecturer, Amy Edmunds continues her educational evangelism for young stroke victims. Since she experienced an ischemic stroke in 2002, at the age of 43, she has been zealous in her campaigns for stroke awareness. Just last week, she hosted a successful Young Stroke Symposium in collaboration with Georgetown Hospital System and the College of Science of Coastal Carolina University and addressed the important theme of building survivor social support.

So if you or someone that you love experiences any of these symptoms: Call 911.

* Numbness or weakness of the face, arm or leg, especially on one side of the body.
* Confusion, trouble speaking or understanding speech.
* Trouble seeing in one or both eyes.
* Difficulty walking, dizziness or loss of balance or coordination.
*  Sudden, severe headache with no known cause.
Unlike a heart attack, most strokes are painless. Even if the initial symptoms dissipate they must be taken seriously.
I am hoping to establish linkages with various regional medical centers here in the Myrtle Beach, South Carolina. My plan is to provide opportunities for stroke and heart patients young and old alike to describe their journey from first attack to recovery in the form of life experience illness narratives. Yes, there are many online opportunities for stroke victims to tell their story and I also recommend Patient Voices, especially this link entitled, “Reconnecting with life: stories of life after stroke.”

Barry Lopez writes, “that sometimes a person needs a story more than food to stay alive.” I could not agree more.

Send me your story.

None of us are ever out of the woods. After a successful triple bypass three years ago, I thought my imperfect heart would beat effortlessly and that I would sail into the autumn of my life. My broken story had run its course and with abundant love from family and friends, I was confident that my heart was mended.

At 4:16 a.m. on a Sunday morning several months ago, I awoke and knew instantly that I joined the more than 750,000 Americans who experience a stroke or a recurrent one. After all, it is the third leading cause of death after heart disease and cancer and strikes one out every six people.

For sure, I am one of the lucky survivors who experienced an ischemic stroke, I prefer to say it was a brain attack event. The doctors tell me that a cerebral embolism refers to a blood clot that forms at another location in the circulatory system, usually the heart and large arteries of the upper chest and neck.

Today my nimble and strong fingers are banging away on my MacBook Pro. Each day I acknowledge how grateful I am that I have fully regained the use of my right arm and speech. My neurologist quietly looked into my face after reading the MRI and Cat scans in her sterile and unpersonalized VA office, “James, you are fortunate that there are only a few deficits apparent in your brain.” Well, heck I could have told her that was a longstanding issue and several women would happily render testimony to this condition.

So the physicians have weighed in and this “brain attack” or ischemic stroke  occurred when a blood vessel that supplies blood to the brain was blocked by a blood clot. The neurologist and cardiologist agree that clot broke off from the heart, traveled to the brain and caused this embolism.

Of course, the daily regimen of Warfarin, coupled with Lisinopril, Metoprolol, and other pharmaceutical interventions appear to be essential to ameliorate my unquiet mind. Each night, the anxiety wells up from some dark place and washes over me like a tsunami. So, a half tab of Tradazone helps chase away the stroke demons for awhile.

Warfarin prevents blood clots from forming or growing larger in your blood and blood vessels. As a result, I must monitor my INR on a weekly basis. The goal of this anticoagulant therapy with Warfarin is to administer the lowest effective dose of the drug to maintain the target international normalized ratio (INR).

Now if the name is not frightening enough, read the fine print accompanying this apparent life saving drug: Warfarin may cause severe bleeding that can be life-threatening and even cause death. Tell your doctor if you have or have ever had a blood or bleeding disorder; bleeding problems, especially in your stomach or your esophagus (tube from the throat to the stomach), intestines, urinary tract or bladder, or lungs; high blood pressure; heart attack; angina (chest pain or pressure); heart disease; pericarditis (swelling of the lining (sac) around the heart); endocarditis (infection of one or more heart valves); a stroke or ministroke; aneurysm (weakening or tearing of an artery or vein) and more.

Each week I am fastidious about not eating my leafy greens. Vitamin K and Warfarin work against each other. Vitamin K is a necessary nutrient in the production of blood clots. The liver uses vitamin K to make proteins, which are responsible for the clotting process. As an anticoagulant responsible for stopping blood clots, Coumadin (Warfarin) works against the body’s natural clotting ability by slowing production of vitamin K and clotting proteins in the liver. My prescription is taken in dosages specific to how much clotting protein is in the blood. So I have out of necessity eliminated any green leafy vegetables, such as broccoli, spinach, cabbage, brussels sprouts (that was no major loss) and collard greens. Now, that I am a South Carolinian, no collards translates as an insult to Southern hospitality.

With no leafy greens allowed in my post-stroke diet, I have quickly become an avid forager for behind the scenes recommended tomatoes in all the local markets. This includes,beefsteak, plum, heirloom, cherry, grape and even Campari tomatoes. In fact, I must admit that instead of discussing the the bouquets and flavors of Pinot Noirs, once described in a Vanity Fair article as “the most romantic of wines,” I now artfully evangelize about the various varieties of tomatoes.

Recent articles, journals and even the BBC have proclaimed that “tomatoes are ‘stroke preventers.” They are the perfect antioxidants and that helps prevent strokes. So, I encourage all my family and friends to get their daily dose of lycopene.

At the end of this month, it’s World Stroke Day. The statistics are clear and present that one in six people will experience a stroke in their lifetime. Additionally, younger people are getting strokes at a faster rate, and people under age 55 make up a greater percentage of all strokes, according to a study in the journal Neurology. I encourage my friends and family to support their local hospitals and regional medical centers on this awareness day scheduled for October 29. Sign up now and join the campaign.

Each day, I get stronger and watch my footprints disappear at Surfside Beach. The Atlantic offers a sweet balm for the body and soul. The exercise helps my blood pressure but who can deny that the waves and the salt water does not heal. It’s mid October and I am chest deep in the ocean and the young local Coastal Carolina University surfers are chasing the waves before the sun sets.
Send me your story. It does matter.

More and more health professionals, especially doctors are recognizing the importance of stories in the healing of themselves and their patients. Dr. Theresa Zink remains a fervent evangelist in underscoring the power of the narrative in medicine. Her newest book is entitled,  Confessions of a Sin Eater: A Doctor’s Reflections.
According to Zink, “a sin eater is a historical figure who sat alongside the bed of a dying man, often shared a meal, and heard the story of the man’s life, guaranteeing his passage into heaven.” The book examines the burdens and joys of being a family physician and walking along side patients through the best and worst of times.
I met this peripatetic author two years ago at the Examined Life Program hosted by the University of Iowa Writing Program and the Carver College of Medicine. She was dutifully engaged in signing copies of her anthology, The Country Doctor Revisited A Twenty-First Century Reader. This earlier work offered the reader insights in the form of essays and stories about rural medicine.
Her latest work helps promulgate the importance of self reflection in the next generation of health professionals. In many ways, Dr. Zink, along with other medical humanists, appears to have achieved balance in her practice as a physician and as a writer in listening attentively to her patients and health professionals interpret the illness experience. The self confessed organized doctor, serves as a director of the Global Family Medicine Pathway, drawing from years of international medical experience in Chechnya and Ingushetia, Brazil, and Central America. She also manages as an associate director of the Rural Physician Associate Program and teaches residents at the University of Minnesota St. John’s Hospital Family Medicine Residency.
She admits that maintaining a daily journal helps her in the writing process. With a busy professional schedule, her writing hours are in the early a.m. and on the weekends. She is presently at work on a novel.
The dedicated physician is quick to point out to medical students and others the value of self reflection. ” Self reflection is an important ingredient for being a good physician.” For sure, more and more Grand Rounds in hospitals around the nation, reinforce the efficacy of reflective writing as an established method for teaching medical students empathetic interactions with patients.
Whether processing through writing, or talking or some other venue, it helps me make sense of what may seem confusing or difficult. It helps me grow. It keeps one grounded, prevents burn out and helps me continue to find joy in my work day in and day out,” adds Zink.

The new mini-series, “NY Med”, the eight-part television series from ABC News, chronicles the 24/7 drama of NewYork-Presbyterian Hospital in New York City.  The documentary from the award winning producers of “Hopkins” and “Boston Med,” appears on ABC, and takes a raw and intimate look at life inside the most famous hospital in America’s largest city. Award winning documentarian, Terrence Wrong, adroitly turns his lens to close-ups of the staff and patients.

 

While there’s an increasing appetite, if not obsessive pop culture focus on reality TV shows, this docu-production, offers hope that cameras can reveal something akin to medical humanity. The physician poet, Dr. Jack Coulehan best captures the unwieldy explanation of this term when he writes.” Medical humanities relates to, but is not identical with, the art of medicine, for which nowadays we often use the word “doctoring.” Doctoring requires communication skills, empathy, self awareness, judgment, professionalism, and mastering the social and cultural context of personhood, illness and health care.”

In many ways, this TV series reinforces the best of Creative Nonfiction and Medical Humanities. Wrong, a consummate story teller, abides to the truth of the hospital setting and observes the intersection of the lives of patients and caregivers. His camera seemingly moves deftly between heart transplants and conversations among patients and their doctors. In effective storytelling, the author or in this case, the filmmaker, spends little time telling and more time showing viewers the episodic graphic stages of daily hospital life.

“NewYork-Presbyterian Hospital relies on extraordinary and dedicated physicians, nurses, and staff to deliver the best in care and caring.  Our patients and their families come from near and far to find the help they need to face the most challenging and complex medical problems, and we are focused on providing them with the highest quality and most compassionate care,” says Dr. Steven J. Corwin, CEO of NewYork-Presbyterian Hospital.

Sometimes, I have often wished that a family member had been rolling their videocamera during my time in the ICU and the various narratives that unfolded among family members as they discussed quietly and maybe not so quietly who might make the decision to take me off the ventilator.

In this compelling mini-series, ABC cameras had unprecedented access to the day-to-day dramas unfolding at Columbia and Weill Cornell Medical Centers, the crown jewels of the prestigious NewYork-Presbyterian Hospital, documenting the medical miracles that occur in these world-class facilities.

“NY Med” follows the real-life surgeons, residents, nurses and hospital staff who try to change the trajectory of lives by relying on sheer medical brilliance and a healthy dose of old fashioned good luck.   The series, which runs from July 10 – August 28, features the hospital’s top doctors, among them world-class heart surgeon and television personality, Dr. Mehmet Oz and the dedicated nurses who are the backbone of any hospital.

According to a recent feature in The New York Times, “The cases in “NY Med” range from the profound, involving appalling tumors or urgent transplants, to those that seem lifted from episodes of “Grey’s Anatomy”: a man whose midsection is full of nuts, bolts and other hardware; a Christian Scientist who returns from his bachelor party with measles; a Cialis-induced erection that needs draining, like some medieval bloodletting. One stunning shot in Episode 8, held for just a second, shows a woman’s empty midsection from which both a large sarcoma and her perfectly healthy liver have been removed.”

From my perspective: the stories chronicled in “NY Med” are gripping, honest and all too real especially for someone who came out of a coma after 10 days.

Send me yours.

 

Wearing the scarf, "karma" or the soul of Cambodia

Some family and friends have inquired about why I have not posted anything for well over a month. The answer my friends in blown’ in the wind to cite Bob Dylan, one of my favorite songwriters.

In May I finished my classes at the University of South Carolina in Sumter, traveled to California for three glorious weeks to visit my dear friends in Berkeley, Dr. Tom Stern and his lovely wife, Yolanda. The two of them have been engaged in nation building for decades in the Philippines. As part of that ongoing initiative, I received an invitation to participate at Stanford University’s Hoover Institution where Tom hosted an impressive roster of internationalists discussing subjects as far reaching as Laos and the challenges reflected in China’s escalating sphere of influence on the Mekong River, to India and Pakistan relations and more.

As some readers know, I experienced a heart event a few years that resulted in a triple bypass. Now with a clean bill of health, I have also decided to jump back into the the international theater. This fall I will participate in the rebuilding of Iraq since I have accepted a Lectureship at the American University in Iraq. I depart on August 26 for this new life

After meeting in Washington, DC with Dr. Athanasios Moulakis, President at AUIS, I was immediately ready to sign up as one of the newly recruited western educators to aid in the rebuilding process of a broken nation.

Moulakis has gone on record in a recent interview in Rudaw about the role of the university in capacity building. ” We can present another model of education, a model that is more modern and can be an example where teachers and students are brought closer to each other, an example that does not treat students like pockets that you just put things into. In fact, they should be treated like humans and should be supported to experience the world.”

The modern university is located in Sulaimaniya in the Kurdistan Region of Iraq. There I will join other academics and students engaged in a new conversation about globalization, literature, and journalism. According to the Dean of Students, Darcy Wudel, I will be teaching courses in English Composition, Creative Nonfiction and Journalism. While I am contemplating what kind of students will be seated in my classroom, I can not help but to think about the region’s tragic history, its great aspirations and the region’s increasing wealth from oil and gas reserves. The Kurdistan region of Iraq is located in northern Iraq, bordering Syria, Turkey and Iran. Although autonomous since 1991, it was not until 2004 that Kurdistan’s status was officially recognized by the Transitional Authority in Baghdad and reaffirmed in the Iraqi Constitution in October 2005.

Dr. Moulakis persuasively writes in the Huffington Post. ” Yet much more recently Iraq achieved a high degree of literacy and developed some of the finest universities in the Middle East. Unlike Afghanistan or Saudi Arabia, Iraq has ingrained traditions of learning, including the professional academic preparation of women. Iraqi education suffered, of course, from the effects of a tyrannical regime, but even more from the sanctions against that regime. Like poisoning the wells of a besieged city, sanctions are not selective in whom they punish, and the leaders it aims to castigate are those who suffer least. Worse was to come. Whatever can be said for the American invasion of Iraq in 2003, it devastated Iraqi higher education along with all of its state institutions and their infrastructure. In the disorder and sectarian violence that followed, more than 450 academics were assassinated. Many fled.”

Of course, I am looking forward to this new journey and this blog will continue to present new stories.

Please send me yours.

author and art therapist Mary Shannon

I recently communicated with Mary Shannon, author, art therapist and clinical social worker. She is the author of The Sunday Wishbone, a searing memoir, that painfully and poignantly reveals her sexual abuse as a young child at the hands of her mother.

In a recent email with me, Shannon wrote, “Writing is a struggle against silence.”
Throughout Shannon’s career in both clinical and administrative human service positions, she has consistently turned to the arts for their ability to provide insight and healing for her clients. Her myriad of work includes teaching medical students in the Bronx, New York to serving as co-faculty for continuing medical education workshops or presenting at international health and humanities conferences.

In an article published in The Independent, Zoe Hilton, policy advisor for child protection at the National Society for the Prevention of Cruelty to Children (NSPCC), acknowledges that “Professionals in all areas of the system tend to be disbelieving of cases of female sexual abuse”. In her role at the NSPCC, Hilton is responsible for lobbying the Government and advising on what systems need to be put in place to tackle the sexual abuse of children across the board. She argues that – as a first step – there needs to be “far more training and education and greater reporting of female sexual abuse when such cases do come to light”

It takes much courage to write about the abuses and loss of innocence from childhood.  How does one ever answer the question of how those individuals that one trusts and loves could ever inflict injury and harm on a child? For sure, Mary Shannon’s narratives continue to rescue and heal her in many ways. I might add that she recently earned a second master’s degree from Columbia University in narrative medicine in Dr. Rita Charon‘s celebrated program.

Here is a link for Mary Shannon’s recent story, “Reconstructing a self” published in the Hektoen International journal.
Mary earned a second master’s degree from Columbia University in narrative medicine in 2010, and her first master’s in clinical social work in 1988.   She has done post-graduate work in medical art therapy at UC Berkeley, and served as a clinical bioethics intern at the world renowned MD Anderson Cancer Center under a National Institute of Health grant.

Throughout her career in both clinical and administrative human service positions, Mary has consistently turned to the arts for their ability to provide depth, insight and healing for herself and her clients. She continues to teach medical students in the Bronx, New York, to serve as co-faculty for continuing medical education workshops or and to present at international health and humanities conferences.

I encourage readers to read her impactful memoir.

Poet John Fox

John Fox is a certified poetry therapist and associate professor at the California Institute for Integral Studies in San Francisco. In many ways, John is an itinerant poet and offers his own version of healing chautauquas throughout the nation. Chautauquas were popular in the late 19th and early 20th century bringing entertainment, education and enlightenment to communities. While this peripatetic poet has no need to pitch a tent for his poetry revivals, his words and demeanor work wonders for those participants in his poetry workshops.

Fox’s Institute for Poetic Medicine founded in 2005 serves to help heal broken bodies and stories through poems and stories. His next circuit stop is San Diego on April 27-29. His holistic version of writing poetry enables many individuals to address emotional issues and to offer solace to agitated hearts. This scheduled program is called, My Heart Broke Loose on the Wind: Recovering a Sense of Freedom and Surprise.In a recent e-mail John wrote to me. “When your writing is met deeply and allowed to†flourish in ways thoughtful people develop   with extravagant permission and genuine support to risk and try things out, when all of your feelings are welcomed, poetry as healer can take deeper root. Your unique way of writing can help mend brokenness and bring meaning to yourself and to others in a tremendously wide range of ways. “John’s poems, especially “When Someone Deeply Listens To You” is a poignant reminder about the importance of listening. Something that more physicians need to be attentive to when they are seeing their patients. The patient often begs for anyone and especially their doctor or surgeon to hear their broken story.I also want to bring to your attention an upcoming program that John Fox along with Dr. David Watts and poet Joan Baranow host in San Rafael, California on July 14-16, entitled, The Healing Art of Writing: A Workshop Exploring Creative Writing and Healing. Last year I shared with one of my English classes at the University of South Carolina Sumter,English 285 Literature & Medicine clips from the excellent documentary, Healing Words:Poetry and Medicine. In that compelling video, John Fox weaves his magic as a poet, encouraging patients to write their poems. As a teacher and as a recovering heart patient, I know this is good medicine.

Send me your poems and stories.

 

Ann Jurecic’s new book, Illness as Narrative, offers substantive confirmation of the continuing scholarly trends in support of the genre of narrative medicine and for the primary value of the patient’s voice  in the practice of medicine. As an assistant professor of English at Rutgers, she demonstrates her seamless erudition and scholarship in a critical close reading and examination of a range of literary responses to the salient work of Susan Sontag, Elaine Scarry, Eve Sedgwick, Reynolds Price and Ann Fadiman.
Jurecic is a mindful reader and she successfully provides a succinctly written arc of the emergence of illness narratives in the twentieth century. ” She writes.” As this overview of the evolving genre of illness memoirs has shown, throughout the past century Americans have increasingly turned to writing to explore the meaning of illness and suffering, and they are more often choosing to make these narratives public in books, magazines, and now online.”

Certainly, as a blogger I have witnessed the proliferation of e-patient forums and the exponential number of blogs addressing illness. Furthermore, there are websites like Dying, Surviving, And Aging With Grace that chronicles the increasing number of  illness memoirs published over the past three decades.

In Illness as Narrative, the author understands very well that the intersection of literature and medicine has ushered in literary theories in the works of Rita Charon, Arthur Frank and Anne Hunsaker Hawkins “that respects the irreducibility of the writer’s body.” I am confronting this issue as I attempt to compile an anthology of poems and stories submitted in response to a medical humanities symposia I held last fall on illness narratives.
These personal responses, couched in a myriad of  illness metaphors cannot be so narrowly compartmentalized into set categories or classifications requested by the publisher. For the poet who suffers an illness or the family member that witnesses this broken story, it’s the rendering of the scene or moment that matters. For sure, it’s an artful representation that must be appreciated.

Professor Jurecic in response to an email question about her own focus on illness narratives, revealed that it’s hard to pinpoint one single answer. Nevertheless, she writes.

” There was a series of events in my personal life that motivated the ideas in Illness as Narrative. The arguments in that book emerged as I became aware of a disturbing division between my professional work with narrative and my personal experience. In the 8 years during which my husband was diagnosed with cancer, a recurrence, a second type of cancer, and another recurrence, I was acutely aware of the stories that circulated in waiting rooms, hospital hallways, as well as in 20th century and contemporary literature.”

Jurecic deftly reveals with compassion and humility that there was a disconnect between her training in literary criticism and the efficacy of these illness stories overheard in waiting rooms as she patiently waited with her husband.

Both of us happen to be teaching undergraduates who express interest in the courses in Literature and Medicine.  One of my  students, Lacey Taylor, wrote  a compelling and poignant personal essay, “Weave Us Together”  on her work with autistic children at a summer camp and I am including in a compilation of poems and stories on illness.

Professor Jurecic recognizes that her students, especially the non-science-oriented English majors also benefit from connecting their expertise in language and literature to the “real world” of embodied experience and healthcare.

Her book is a must read for all Literature and Medicine courses and certainly will be added to Medical Humanities programs around the country. In her summary paragraph, Jurecic reveals her compassionate and critical skills as she addresses Fadiman’s The Spirit Catches You.

” While I have learned from how others have written about Fadiman’s text, in my own conclusion I have tried to attend to the moon toward which Fadiman points. In this narrative of illness, as in many others, the ailing body points to culture, pain points to philosophy, language points to consciousness, and all point to what is still to be learned about our fragility, our mortality, and how to live a meaningful life.”

Dr. Jack Coulehan, the distinguished Emeritus Professor of Preventive Medicine and Senior Fellow of the Center for Medical Humanities, Compassionate Care, and Bioethics at Stony Brook University continues to write more palpable and prescient poems.

Bursting with Danger and Music offers his compassionate eye for witnessing the inherent beauty and darkness in the daily rounds of medicine and life. In an e-mail to me he revealed, ” I think mostly in terms of medical incidents or images that strike me and the “theme” only arises as the poem develops. If you look at my work as a whole, there is a lot of overlap. Nowadays, a larger percentage of my poems arise from non-medical experiences.”

Coulehan’s poems and stories have appeared in major literary magazines and medical journals in the United States, Canada, England, and Australia; and his work is widely anthologized. His collections of poetry include The Knitted Glove (1991), First Photographs of Heaven (1994), The Heavenly Ladder (2001), and the celebrated Medicine Stone (2002).

I am also an admirer of his earlier anthology, Blood & Bone with contributions by other physicians. This specific collection added measured validation that poetry and medicine have been linked by metaphors.

Dr. Pauline Chen in a New York Times blog, “The Doctor as Poet,” asserts that ” Poetry has long been linked to medicine; in mythology, the Greek god Apollo was responsible for, among other things, both healing and poetry. And poets like John Keats, Olver Wendell Holmes Sr. and William Carlos Williams were all trained as doctors. For them and other physicians of their time, reading or writing poetry required skills not that dissimilar from those employed in daily clinical work–an ability to connect emotionally with the subject, as well as careful attention to rhythm, wheter it was in the form of verse or heartbeats and breathing.”

For sure, Coulehan knows that doctors are immersed in stories. Like William Carlos Williams, he also discovers in the ordinary, a plethora of extraordinary images; an abiding interest in other lives and generous acts of kindness.

Dr. Coulehan and his publisher, Plain View Press, have kindly granted me permission to post this poem, “The Act of Love” from his latest anthology. For those of us engaged in teaching courses in Literature and Medicine, Coulehan’s poems never disappoint since they always demonstrate his engagement with life.

 

The Act of Love

 

How foolish Celia must look

to the Haitian cab driver

on the Medicaid run!

 

She wears a white communion dress

the week before Easter, a sign

she brings me something more pressing

 

than the pain in her shoulder

and the son who doesn’t talk to her

because his wife is embarrassed.

 

Her hips creak in conversation,

her knees grind, but even crepitant joints

are modestly silent and stand aside

 

when Celia hands me a potted plant

for my office—an act of Christian love,

she says, not a sign of being personal.

 

As for me, I’m stunned

out of the ordinary anger

at failing to help her

 

by the waxy-leaves of her gesture

and I receive this wafer of the season,

heartbroken for no reason.